A very nice blues album by Paul Cowley that I reviewed for folking.com.
“It turns out that what Paul Cowley knows is country blues, and he really does know his subject, with influences including Robert Johnson, Mississippi John Hurt et al. This CD features eleven songs: five of them are his own, and the rest are from classic blues artists like Memphis Minnie and Furry Lewis.”
Update: this has now acquired a name and an updated version – ‘Box of Blue‘.
A piece so new and raw it doesn’t even have a name. I was basically just goofing around with a Maj7 tuning that I thought might have possibilities.
Hopefully, at some point the piece will turn up here better and more tightly executed (and with a proper name). In fact, I even have a set of words that might fit it. But this version is just here so that I don’t forget about it.
Most Saturdays – at any rate when I’m at home – I spend the hours between 12 and 2pm listening to Ian Semple’s radio show on Coast FM (Facebook page here). While Ian plays a great deal of local music, his tastes are wide-ranging: today, for instance, his playlist included Pink Floyd, Richard Thompson, Seasick Steve, Wilde Roses, and Ry Cooder, as well as more local names like Baldrick’s Plan and Julie Carter. And this was a track of mine that he played today. 🙂
My friend Vic Cracknell, who among other musical activities runs open mike nights around Surrey, where I lived for several years, often used to introduce me as ‘someone who plays authentic blues.’ As a result of which, I got used to introducing this along the lines of: “This is a traditional blues. However, it differs from most traditional blues in that it was written on the platform at Chalk Farm Tube station after an evening at the Enterprise folk club in 1983.”
In recent years, I’ve usually played this on electric guitar. This version, though, was recorded on domestic equipment (or maybe a Fostex X-15) in the 1980s, with quite a different arrangement (and on acoustic guitar). I think I might try for a better recording using the same(-ish) arrangement in the near future. But in the meantime, this isn’t too bad considering it was taken from a cassette.
Another of my reviews for Folking.com, though it’s not by any stretch of the imagination a folk album. Heavy-duty guitar-dominated blues/rock. Well, it’s hard to dislike an album that includes covers of two of my favourite Hendrix songs and one of Rory Gallagher’s. And Joost de Lange is a very able guitarist.
The review has been up for a while, but I’ve been tied up with travel/work and unable to find time to post here.
A suddenly resurrected blues-y song. First time sung in about 30 years, so a bit rough, but I like the energy.
I woke up in the night thinking about this one for the first time in maybe 30 years. Fortunately, I could still find the words, though I’ve changed them slightly here (also the tempo is a bit more upbeat than when I originally wrote it). Unusually (for me) the slide is an open G. I’ve been using an open C again recently, too.
Dying of communication: Copyright David Harley 1976
Sitting it out at the full moon Reading my mail from the next room Can’t you see we’re dying Dying of communication?
Checking it out with the radio Late late news is ‘no place to go’ Can’t you see we’re dying Dying of communication?
Sitting it out in the bathroom Freaked out on ego juice Fighting it out in the bedroom Wondering what’s the use Everyone knows we’re dying Dying of communication