A suddenly resurrected blues-y song. First time sung in about 30 years, so a bit rough, but I like the energy.
I woke up in the night thinking about this one for the first time in maybe 30 years. Fortunately, I could still find the words, though I’ve changed them slightly here (also the tempo is a bit more upbeat than when I originally wrote it). Unusually (for me) the slide is an open G. I’ve been using an open C again recently, too.
Dying of communication: Copyright David Harley 1976
Sitting it out at the full moon Reading my mail from the next room Can’t you see we’re dying Dying of communication?
Checking it out with the radio Late late news is ‘no place to go’ Can’t you see we’re dying Dying of communication?
Sitting it out in the bathroom Freaked out on ego juice Fighting it out in the bedroom Wondering what’s the use Everyone knows we’re dying Dying of communication
A Tommy Johnson classic that suddenly revisited my head after a decade or two.
I was actually noodling around with an arrangement for Castles and Kings, which I’ve started to think of as a sort of Shropshire train blues, when I suddenly found myself thinking of the Tommy Johnson classic ‘Big Road Blues’, which hasn’t crossed my mind in decades.
This version is a bit tentative (not least because I wasn’t sure I remembered the words correctly, and the arrangement isn’t at all how I used to do it). But I wanted to get it down before I forgot about it again, and I think with a little polish it’ll work well.
A slide instrumental based on the song known as ‘One Kind Favor’ or ‘See That My Grave Is Kept Clean’, first recorded by Blind Lemon Jefferson. It probably derives ultimately (and quite remotely) from a mournful Victorian ballad by Gus Williams called ‘See That My Grave Is Kept Green’. There is a recording of the ballad by the Carter Family, who also recorded something closer to the bluesier song as ‘Sad And Lonesome Day’.
Improvised slide piece that reminds me a little of John Fahey.
I’m ashamed to say I’m not well acquainted with the work of John Fahey, though I have occasionally played ‘The Death of the Clayton Peacock’ which I learned, I think, from a guitar anthology album. Even the way I play ‘Poor Boy/Vestapol’ ultimately derives from Stefan Grossman rather than either Fahey or Robert Wilkins. But that’s another story.
This is actually an improvisation (which started as a sort of pseudo-air in D-modal but somehow moved to a slide piece in Csus2), but it reminded me a little of the Fahey tracks I heard in the 70s. And now I think I’m going to have to start listening to him again.
Slightly tighter version than previously, played on resonator guitar.